This nude figure is sitting on the bed, combing her hair and petting the cat with her foot. You may want to ask me why I decided to put an electric plug and a wire in my drawing. Was I because I wanted it to symbolize the power and life of the figure? No. Was it because I got my figure too far over to the right, and I needed something to balance the composition? No. It was because I wanted to be absolutely sure that in the future no one would attempt to pass my drawing off as an old master drawing done in the Renaissance. That is why I put the plug in the drawing. To make sure that it is a “modern” drawing.
This concern with being modern for me goes back to my student days when I was in art school. I had several old master drawings up on my wall and my mother, coming to visit, started looking at a Leonardo drawing and asked me, “When did you do this one, Dicky?” This question I dismissed at the time as coming from someone who knew nothing of art history. But it was impossible to dismiss it completely. My work was anachronistic. And it is still a factor in my drawing. Does my figure’s right arm look suspiciously like the right arm of Michelangelo’s Libyan Sibyl? Sticking in a Tide box is not going to solve this problem.
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